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Bruce Levingston: An Undivided Artist

Posted on: February 18th, 2015 by erabadie

Populi Magazine Interview with UM Chancellor’s Artist in Residence Bruce Levingston

February 3, 2015 | By Eleanor Anthony | ecanthon@go.olemiss.edu

Bruce Levingston

Recently, I had the opportunity to talk with Mr. Bruce Levingston, world-renowned pianist and native Mississippian who has contributed a great deal to the University of Mississippi with both his time and talent. He was kind enough to answer a few questions with regards to his life and work, his new role at the Honors College and Department of Music, as well as his performance and presentation at the Spring Honors Convocation on February 10th, 2015, and an Honors Conversations Course he is teaching in Spring 2015.

Two excerpts from the interview by Eleanor Anthony, a mathematics and philosophy major and an editor of Populi Magazine follow. Click here to read the full interview.

Can you tell me a bit about your start as a musician and what ultimately brought you to Ole Miss?

I grew up in a nearby town called Cleveland, located in the Mississippi Delta. I started playing when I was four, and then my mother gave me my first piano lessons. Eventually I went on to study with some fantastic teachers around the world; my career now is as a concert pianist, and I have lived most of my adult life in New York City. A few years ago, the Chancellor and other friends connected to Ole Miss reached out and asked me if I would come here to see the campus. I had not been to Oxford since I was a boy, and I was quite surprised by how much development had occurred and how much the university had grown. After a few visits and performances, the Chancellor asked me to come here as his adviser of the arts, and that led to my meeting Dean Douglass Sullivan-González; after we came to know one another, DSG asked me if I would become a fellow in the Honors College, and so I did that for a year, and enjoyed working with him very much, and that led to my being offered a Chair in the Honors College in the humanities that was recently established thanks to a generous gift by Ruff Fant, whose father taught here many years. I am officially titled the Chancellor’s SMB Honors College Artist in Residence and am also the Artist in Residence for the Department of Music. So this gives me the opportunity to work with some of the great musicians here on campus as well as some of the great students at the Honors College. And sometimes they are one and the same! So, that’s a lot of fun.

I know you are very active in terms of collaborating with other artists—could you tell me about some of the recent collaborations on which you’ve worked?

So one of the most important and thrilling things I’ve been able to do since I’ve been on campus is to work with some of the great artists that are here in different areas. I’ve already had a chance to work with some of the superb musicians in the music department, and we are going to collaborate further on a performance that I will be giving on March 27th at the Ford Center where the amazing singer Nancy Maria Balach will come on to the program with one of her superb students and perform with me as well as Jos Milton, the wonderful tenor, and Robert Riggs, chair of the music department and a terrific violinist. I had a chance also to work with the great percussionist Ricky Burkhead on Thacker Mountain Radio which was a marvelous collaboration. But I also think of the arts not divided into writing or music or painting but as just one thing. We really are a part of the same family. So when I first came, I had the opportunity to meet Beth Ann Fennelly, the acclaimed poet, and her husband, Tom Franklin, a brilliant novelist. We immediately set out to collaborate on some works about words and music. I even wrote a piece that was based on their novel called The Tilted World. And we gave a performance in New York City together; they will also come on the program with me in March and read, and I will play some things inspired by their words. I have also had the chance to work with the Southern Foodway Association and to collaborate with great artists like Kevin Young, the Pen Faulkner Award-winner, and Justin Hopkins, a superb opera singer from Philadelphia, on a wonderful project based on the words of Booker Wright, an important figure from the Civil Rights era from Greenwood, Mississippi. We recently performed that, and I think it was a very special collaboration. We will perform it next year in New York City at Carnegie Hall. To be able to engage with other artists really makes life fulfilling because it helps one feel a part of the whole artistic community.

Read more here.

Students Spent Spring Break Digitally Mapping Vercelli Manuscript

Posted on: April 3rd, 2013 by erabadie

Group visited Italy as part of UM’s Lazarus Project

The Lazarus Project team in Vercelli, Italy. Photo by Mary Stanton

Four University of Mississippi students recently traded sunshine and relaxation for ancient manuscripts and the chance of a lifetime.

The three sophomores and one freshman, all students in the university’s Sally McDonnell Barksdale Honors College, spent spring break in Vercelli, Italy, digitally mapping a 10th century text called the Vercelli manuscript as part of the Ole Miss Lazarus Project. The medieval text is one of four major works of Old English writings and includes sermons and poems such as “Dream of the Rood.” The text was damaged by a 19th century attempt to use chemicals to make the faded text more legible, and the imaging the students performed will help restore some of that lost writing.

The team of young researchers and scholars are using multispectral images and ultraviolet light to study ancient manuscripts such as the Vercelli manuscript (10th century) and the Globe Map of Vercelli (late 12th century). Led by Gregory Heyworth, UM associate professor of English, the team photographs the manuscripts with a 50-megapixel camera, specially designed multispectral lights and filters, and specialized imaging software to recover portions of the text invisible to the naked eye.

“Working with these documents, it’s unreal,” said Leigh Anne Zook, a sophomore international studies and intelligence and security studies major from Huntsville, Ala. “These are priceless artifacts, and thinking of how few people have seen these, and the ones who have are experts in their fields, and me as a sophomore being able to work with these manuscripts – it’s not even a trade-off, it’s an absolutely wonderful experience.”

Other sophomores were Eleanor Anthony, a mathematics and philosophy major from Jackson, and Elizabeth Wicks, a French and pharmacy major from Ocean Springs. Freshman Meredith Oliver, a pharmacy major from Collierville, Tenn., also participated.

While in Italy, the students also were able to assist in imaging a 12th century map of the world, or mappamundi, one of only 12 in existence.

Previously, the Lazarus Project took students to Washington, D.C., where they examined a possible William Shakespeare signature, and to Dresden, Germany, where their efforts revealed writing in another unique medieval manuscript, “Les Eschéz d’Amour” (The Chess of Love), a long 14th century Middle French poem thought until recently to have been too badly damaged during World War II to be recovered.

Since its inception, the Lazarus Project has used its portable multispectral lab to analyze several documents, including the Skipwith Revolutionary War Letters, which were donated to Ole Miss by Kate Skipwith and Mary Skipwith Buie, great-granddaughters of Gen. Nathanael Greene; and the Wynn Faulkner Poetry Collection, 48 pages of early poetry written by William Faulkner between 1917 and 1925 that were donated by Leila Clark Wynn and Douglas C. Wynn.

For more information, visit the Lazarus Project.